When it comes to South Bay Choppers one might automatically think Dick Allen, but there was another well known local builder... Fats. I've known of him and his shop (Sportster Heaven, or was it Haven?), his brother and have a magazine featuring their bikes (The Brothers Noriega), I need to scan. Personally I don't know a lot about him. My neighbor Steve Sharp knew him well, so perhaps I'll get more dope.
Fats (R.I.P.), built his own version of the Dick Allen springer. It featured bolted/pinned trees with a square (bottom), spring perch. Steve Sharp continues to build them the Fats way. Photo sent by Joe Hurst.
Sabtu, 16 Maret 2013
Jumat, 15 Maret 2013
DRAPING KATE IN MATCHLESS ATTIRE
From WWD (Women's Wear Daily), possibly the best source of revamped motorcycle brand information on the planet! Remember that Kate Moss was among the first models hired by the Malenottis to launch their Belstaff brand.
"MATCHLESS MAKER: Matchless, one of Britain’s oldest motorcycle brands, is set to launch men’s and women’s outerwear collections in June — and the face of its fall/winter ad campaign is Kate Moss. Terry Richardson shot the black-and-white campaign at MC Motors, a former warehouse in London’s Hackney. Moss is pictured on a Matchless motorbike along with fellow model Andre Van Noord. The ads will break in June issues of “top-tier” titles, according to the company, which is still finalizing its media plans.
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| Kate Moss, a Matchless G9 twin, another model, and photographer Terry Richardson |
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| Kate Moss posing on a Matchless G9 twin, in a Matchless-brand jacket, with superstar photographer Terry Richardson. Photo by Courtesy |
“We are delighted to be working with Kate Moss on this first Matchless advertising campaign of this new era of the brand,” said Michele Malenotti, a member of the Matchless board, and the company’s marketing and business expansion director. “The campaign reflects the heritage of the brand, which we are excited about sharing with Matchless enthusiasts and consumers alike.”
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| Kate Moss for Belstaff. I don't think Kate rides, but she ought to! |
The brand makes leather and washed cotton jackets both for motorcycle enthusiasts, and for those who get their thrills looking hip on city streets. Prices range from 900 pounds to 1,300 pounds, or $1,340 to $1,940, for leather jackets, and from 600 pounds to 900 pounds, or $890 to $1,340, for washed cotton ones. All figures have been converted at current exchange. WWD reported in February [as did The Vintagent - read it here] that brothers Manuele and Michele Malenotti, the former owners of Belstaff, have taken control of Matchless. The passion for bikes runs in the family, as their father Franco Malenotti, founder of the family business Clothing Company, is an avid motorcycle fan. In 2011, Labelux Group bought Belstaff, known for its waxed cotton biker gear, and has been relaunching and expanding the brand globally.
Henry Collier, a design-engineer, entrepreneur, and winning rider, and his brothers founded Matchless Motorcycles in 1899.
- story by Samantha Conti"
Kamis, 14 Maret 2013
THE 'ALMA FOUR'
Story by Kim Scholer; Photographs by Jeppe Sorensen
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| Looking perfectly 'period', the Alma Four is a credit to its creator, Mads Bartholin |
The original Indian Four is a design icon, in its time among the most elegant motorcycles to grace the roads. Many attempts have been made to build a 'modern' copy, often using water-cooled car engines, but stylistically they're failures. Except one, which lives an ocean away from where the Indian, ACE and Henderson Fours were brought to life. Mads Bartholin always wanted an Indian Four, but like most of us, he couldn't afford one. Well-kept Fours go for about US$50-80K, and restoring a bad one will likely cost the same. ACE and Henderson Fours were just as out of reach, and acquiring something slightly less glamorous, like an Indian Scout, was not an option; Mads was firmly in the 'straight four' phase of his life.
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| An original ca.1928 Indian Four... |
Mads had already built one such four; a Danish Nimbus, which he rebuilt with an Indian Four style exhaust system, 16” rear wheel, Harley-Davidson solo seat, and a wide handlebar, and ridden it as far as to North Africa a few times. But much as he liked the Nimbus, he found its 22 bhp engine too weak. Realizing the futility of tuning the stock 750 cc engine, he decided to replace it with a 1000cc straight four from an NSU car. "The NSU engine is air cooled, inexpensive, looks kind of right and there are loads of them around”, claims Mads. The fast, brutal looking Münch Mammoth used just such an NSU Prinz TTS engine, with five times the power of the Nimbus. In 1997, he made moulds for a new Nimbus flywheel/clutch assembly housing to adapt to the NSU motor, plus a new sump to resemble the angular Nimbus original. A local foundry took care of this for a pittance, and after a few tries it looked right. Mads had suspected the car engine would be a bit on the large side for a Nimbus frame, which turned out to be the case. "It would fit – barely – but there simply wasn't any room for the gearbox or the gas tank", he notes, "so it was back to the drawing board".
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First it ran with an Amal carburettor, then with a leaky updraft Tillotson, and finally with this updraft Solex. Gearshift mechanism is from a Nimbus motorcycle, the generator from a VW. |
The project was redirected with the goal of creating a 1920s-style American Four. Many evenings and hours were spent at the basement workshop, where Mads would sit, beer in hand, carefully studying various 1:1 scale drawings hung up on the wall. Finally a version reminiscent of a 1928 Indian was decided upon. These first Indian Fours lack the comfort of rear suspension, and the elegance Art Deco fenders of the later Fours, and the upper frame backbone runs across the fuel tanks. The hybrid machine would be a couple of inches longer than its spiritual forefathers, because of the NSU's separate, longitudally mounted gearbox. Maintaining momentum on this project wasn't easy, mainly because Mads, while studying Industrial Design at The Royal Academy of Fine Arts, was perennially broke as a student. "Getting married and having two kids took its toll, too," says Mads, "although thankfully my wife – bless her - has given this project her full support all along the way". On the other hand, with only partial employment, and an uncanny ability to trade favors with people 'in the know', he was able to move forward. Slowly, the sorry remains of an Indian frame, as well as a good number of repro parts, were acquired. Like the frame lugs, both fenders, the solo seat, a complete leaf spring front end and the throttle assembly. Initially a BMW or Moto-Guzzi gearbox was considered, but Mads soon realized that because the NSU's engine rotation would give a lot of reverse gears! Eventually, a Nimbus gearbox with a new Swedish-built four speed gear cluster arrived at the workshop, along with its shaft drive and rear hub assembly. Somewhere on this journey the motorcycle acquired the name 'The Alma Four, 'Alma' being Latin for 'a particularly beautiful soul' [ah...hence Alma Mahler's legendary magnetism...pd'o].
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| The Alma Four is of necessity longer than the original Indian 4, to accomodate the longer engine, plus the gearbox and final driveshaft housing |
Old brochures and factory photographs usually show the Indian Four from the right hand side, where the elegant exhaust system makes the bike look fast even while parked. In contrast, the left side of Indian Four engines were a mess, cluttered up with the carburettor, the magneto and the dynamo. Paying homage to the original, this is the case with the Alma Four too, even if the distributor hides tidily at the back of the camshaft cover. The updraft Solex carburettor, more commonly found on Ferguson tractors or 1930s Citroën Traction Avants, is mated to a modified NSU intake manifold, and a belt drive spins a Bosch VW generator. In 2002, the engine came together, while a stainless steel four-into-one reverse cone exhaust system was built, mounted on shortened exhaust stacks. At the same time an aqcuaintance rebuilt the frame to match the one-off engine and shaft drive rear end. Many other members of the world-wide Indian motorcycle fraternity had been watching the Alma Four project from the sidelines, helping whenever possible and enthusiasticly cheering Mads on. One of them even flew in from the Fiji Islands to have a look.
| An 'old school' conversion; a Nimbus shaft-drive engine installed in an Indian 4 chassis, some time ago... |
Once back from the welder, the frame was placed on the workbench and the engine dropped in. The twin fuel tanks had to be designed and built from scratch, because the ohc NSU engine was much taller than an original engine from Springfield. This was a bit of a problem, as Mads wanted to keep the bike low. Like the flywheel housing and engine sump, the fuel tanks were cast in aluminum. On the outside they appear stock, but underneath they're shaped to accommodate the large camchain housing, the overhead camshaft, and the valve covers. Plenty of work remained, of course; knurling the fuel caps, welding a bracket for the stock headlamp to resemble a cast item, even grinding the fender bolt heads to half their height were some of the dozens of jobs neccessary to make it all just right. The Indian designers back in the 1920s were damn good and Mads, now officially an industrial designer, was determined do at least as well.
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Twin cast-aluminum fuel tanks are hollowed out to accomodate the tall overhead camshaft engine, and the protruding valve covers |
In 2006, the Alma Four was finished; "The engine starts first kick, pulls strong, and the bike is steady like any other old 1920s large hardtail, at least up to the 100 mph I've taken it so far", according to Mads. Stopping the quarter-ton behemoth from high speed is a different matter, as the performance of the old Nimbus and Indian brake drums is limited. This NSU engine makes 40 bhp in its stock configuration, while the 1200cc version in the Münch Mammoth made more than 100bhp, and the final 1300cc NSU rally car versions made upwards of 300bhp, with oil-cooled cylinder heads and a turbocharger. "The engine is overengineered and the Alma Four weighs about one-quarter of the car it came from, so reliability is not an issue. Should something undesirable happen to it anyway, it's a fair guess that NSU parts will be cheaper than those for an Indian,” says Mads. "The front end is a repro Scout item, but a Chief version would have looked better, and a real paint job would have been nice too". But these are minor niggles. Unsurprisingly, even vintage bike purists give it a nod of approval, recognizing that no Indian parts were harmed to make this motorcycle. Was it worth spending all those hours building his Four, instead of working the same hours at a regular job, and simply buying an original Indian Four? "Definitely, if not for its value - which probably is on par with a 70-80 year old four anyway - then certainly for being able to ride a unique and comparatively much more reliable motorcycle”. The experience gained by designing and building a motorcycle almost from scratch, is priceless. It will come in handy for the ohv Super X hillclimber now on his workbench...
Senin, 11 Maret 2013
MONTLHERY VINCENT: 100MPH FOR 6 HOURS
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| Coming to the Bonhams Stafford auction April 28th; the Montlhéry Vincent Black Shadow |
The Montlhéry race circuit, just 15.5 miles south of Paris, holds a place much like Brooklands in England in the hearts of European speed-fans, but the track isn't a fractured memory from pre WW2, its a living thing in continuous usage since constructed in 1924. Today the track is regularly pounded by automotive companies, being engineered to withstand 5,000lb racing cars traveling at 150mph - a far-sighted vision for 1920s engineers. But then, French engineers of the early 20th Century were exactly that, out on the exploratory limbs of technology, making double overhead camshaft four-valve multi-cylinder motorcycles even in the 'Teens. What Montlhéry became best known for, though, was long-distance record-breaking; while nearby Arpajon was an excellent spot for Land Speed Record attempts in the 1920s and 30s, Montlhéry was a perfect venue to circulate for hours around its steeply banked oval, being relatively smooth (well, smoother than Brooklands...) and amenable to 24-hour full-bore, unsilenced riding.
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| The most visible modification from 'standard' spec is the large capacity racing fuel tank. The Shadow is a matching #s machine with History... |
On May 13 1952, a pair of mildly modified 1,000cc Vincent Black Shadows arrived in Paris to attempt a new 24-hour speed record, with a slew of Vincent factory employees (including 18 year old apprentice John Surtees), a few pressmen, plus a French team contingent of riders, the record-attempt team manager, and timing officials from the FIM. One of the machines was a 'test hack' which circulated for hours during testing, on which modifications were made for an average/acceptable riding position for the 11 riders participating; Phil Heath, John Surtees, Robin Sherry (AMC factory racer), Cyril Julian (TT rider), Vic Willoughby (infamous writer for The Motor Cycle), Dennis Lashmar, and Danny Thomas, plus four French riders; Ken Bills was team manager. All the riders save Danny Thomas were able to keep up the 100mph pace, so he was relieved of duty.
"The record breaking machine is a standard Black Shadow with 8:1 compression as supplied to the American market. ... We used 1-5/32" T.T. Annals in conjunction with two inch open pipes, the fuel being non-leaded 80 octane... Lightning cams... We removed our front brakes and rear flap, fixed rearward foot rests were fitted... special five Gallon petrol tank and a Feridax perspex flyscreen. Modified handlebars gave a very flat riding position and riders lay on a Sorbo 'mattress' fastened to the tank top...Avon...Standard 300 x 20 front racing and 3.50 x 19 rear racing tyres..." His complete (and delightful) account of the attempt can be found here on the VOC site.
Ted Davis, the Vincent competition manager, originally built the Montlhéry racers with a caged big-end bearing, an improvement over the standard crowded-roller item, but Philip Vincent insisted the standard item was good enough, and ordered them changed back to standard, 'to demonstrate the reliability of the standard Black Shadow', which of course it did, but not with the intended outcome! It didn't help that France was having its hottest May on record - so hot that the Avon rear tires on the pair of Black Lightnings (brought over for high-speed records) shed their treads at high speed, and the Castrol XL oil was described by Davis (read here) as 'dirty hot black water' when drained from the engines.
Ted Davis, the Vincent competition manager, originally built the Montlhéry racers with a caged big-end bearing, an improvement over the standard crowded-roller item, but Philip Vincent insisted the standard item was good enough, and ordered them changed back to standard, 'to demonstrate the reliability of the standard Black Shadow', which of course it did, but not with the intended outcome! It didn't help that France was having its hottest May on record - so hot that the Avon rear tires on the pair of Black Lightnings (brought over for high-speed records) shed their treads at high speed, and the Castrol XL oil was described by Davis (read here) as 'dirty hot black water' when drained from the engines.
After ten hours forty minutes, the standard big-end of the Vincent crankshaft failed, and a deafening silence rang in the speed bowl; the team ran to the far side of the track (a mile!), and waited 20 minutes to push the bike over the 'line' to take the 11hour record. While a Vincent never took the 24hr/100mph record (it took a Velocette for that one), the Vincent team still took and impressive eight World Records, including the six-hour record at 100.53mph and 1,000km at 100.67mph, and 10 hours at 99.17mph. Other records were 7 hrs @ 99.73mph, 8 hrs @ 99.73mph, 9 hrs @ 99.40mph, 10 hrs @ 99.17mph, 11 hours @ 91.98mph, and 1,000 miles @ 99.20mph.
I mentioned above that TWO Black Shadows were taken to Montlhéry...one a 'test mule' and the other used in the attempt; both were tuned and prepared for the attempt, and both machines survive. One is coming up for sale at the Bonhams Stafford sale on April 28th. Apparently there is no record of 'which bike was which', but both can rightly claim to be part of the attempt at Montlhéry...
Roth's California Cruiser
Ed Roth's V8 powered California Cruiser was the prototype for the Ed Roth/Dick Allen joint venture Cobra Trike kits. I'll be posting the article from this issue soon.
Minggu, 10 Maret 2013
More South Bay Originals
Here's Nasty Nez with his original Loco Motion knucklehead chopper. He later gave the tank and name to Dick Allen. If you go back and look up the post of Dick's Vincent chopper you'll see the same tank. The post of Joe Hurst's White Bear before paint jamming down the 405 also shows this tank.
Here's an early photo of Dick Allen with his Chrome Frame Chopper when it had a knuckle in it. I believe this is after the Choppers Magazine article when it featured a Shovelhead. The Chrome Frame Chopper has possibly been changed and rebuilt more than any other bike out there. Party on Girl! Joe Hurst said these photos have been circulating on Facebook amongst the old south bay group.
Rabu, 06 Maret 2013
This Month's Header-The South Bay and Trikes
Sorry about the new all time low. Two months headers back to back without any other postings! A few things have conspired against me. 1. Blog burn out. 2. My ancient computer's browser is not supported. 3. I hate the new posting process. 4. More important issues to address.
I hope to do better and plan to partially dedicate the next month (or two), to trike stuff and more South Bay Chopper history.
Just when you thought you'd seen every Dick Allen photo. Dick at his Artesia blvd. shop aboard the Cobra trike running mock up. Courtesy of Joe Hurst.
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